excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
excavation of emptiness
2011 Studio Anise, New York
Photography by Gianina Jimenez Barrantes
A performance at Studio Anise of Angela Freiberger collaboration with Phillip Baldwin and Laurie Altman’s composer score with marble sculpture, the kinetic in W, Y, Z with the visuals in an interactive series of sound and film triggers with the kinect controlling both sides of the performer body, she control pitch, speed and contract within X,Y and Z space. “Excavation of Emptiness” is the first experiment, work in progress. Photos by Gianina Jimenez Barrantes. Thanks for Paul Anis.
